St. Louis, MO
Washington University, Edison Theater
Saturday, November 1, 2014 at 8:00pm &
Sunday, November 2, 2014 at 2:00pm
The Olympia Theatre
Gusman Center for the Performing Arts
Sunday, November 16, 2014, at 5:00pm
Long Beach, CA
Carpenter Performing Arts Center
California State University Long Beach
Saturday, December 6, 2014, at 8:00pm
Las Vegas, NV
The Smith Center For the Performing Arts
Saturday, January 17, 2015, at 7:30pm
Citi Shubert Theatrer
Saturday January 24, 2015 at 8:00pm
& Sunday January 25, 2015 at 3:00pm
Weber State University
Saturday, March 7, 2015 at 7:30pm
DETAILS TO FOLLOW
Anchorage Concert Association
Atwood Concert Hall
Saturday, March 14, 2015 at 7:30pm
Seattle Theatre Group
The Paramount Theatre
Saturday, April 11, 2015 at 8:00pm
DETAILS TO FOLLOW
East Lansing, MI
Michigan State University
Wharton Center for the Performing Arts
Cobb Great Hall
Saturday, April 18, 2015, at 8:00pm
Flynn Center for the Performing Arts
Saturday, April 25, 2015 at 8:00pm
AT&T Performing Arts Center
Winspear Opera House
Saturday, July 11, 2015 at 8:00pm
DETAILS TO COME
December 5, 2015 in Austin, TX
Monica Bill Barnes & Company Productions and Ira Glass, host of This American Life, have been working together to combine two art forms that – as Ira puts it – “have no business being together – dance and radio.” The result is a funny, lively and heartfelt evening of dance and stories that has brought down the house wherever it’s been performed, starting with its first test run at Carnegie Hall in 2013.
The show includes radio interviews restaged as dance pieces, plus stories from the lives of each of the three performers, Ira Glass, Monica Bill Barnes and Anna Bass. “What makes it work is a shared sensibility,” Glass says. “As dancers, Monica and Anna are these amazingly relatable and funny storytellers without words.” Bass notes, “I think it’s still blowing Ira’s mind to see some of the radio pieces remade this way, with props and costume changes and lighting cues.” Barnes adds, “combining these art forms has led to a show that’s unlike anything I’ve ever choreographed before.”
As the title indicates, the show is in three acts. Act one is about the job of being a performer. Act two: falling in love and what it means to stay in love. Act three: nothing lasts forever. “People who like This American Life will probably like this,” says Glass “because it’s just like the radio show, um, if you picture dancing during all the stories.”
Monica Bill Barnes (Director/Choreographer) is the Artistic Director of Monica Bill Barnes & Company, a New York City based contemporary dance company founded in 1997. MBB&CO has performed in more than fifty cities throughout the United States, been commissioned and presented by The American Dance Festival, The John F. Kennedy Center for the Performing Arts, and Jacob’s Pillow Dance Festival, and performed all over New York City in venues ranging from Upright Citizen’s Brigade to Lincoln Center. Barnes has been an invited guest artist at many universities, has choreographed for various theater productions, and has been commissioned by Parsons Dance and The Juilliard School. Since 2006, Barnes has been making duets for herself and Anna Bass with the goal of reaching audiences beyond dance venues. They have performed in comedy festivals, films and at literary events. Barnes began working with Ira Glass in 2012 when she created a solo for David Rakoff and performed with MBB&CO as a part of “This American Life Live!” This is the first show where she has let anyone speak on stage.
Anna Bass began working with Monica Bill Barnes & Company in 2003 and now serves as Associate Artistic Director. She has performed Barnes’ work all over the country and on stages ranging from public fountains and city parks, to New York City Center and Carnegie Hall. Bass and Barnes began their duet work in 2006 and have been dancing side by side ever since. She assists Barnes with dance works, commissions (her favorite being David Rakoff’s solo for This American Life Live!), and theater work. Bass was the Assistant Choreographer for The Jammer at The Atlantic Theater, Goodbar at the Under the Radar Festival at The Public Theatre, and These Paper Bullets! at Yale Repertory Theatre. She also teaches master classes and workshops for MBB&CO and has been a guest artist at several universities. Bass is originally from Virginia, has studied almost every dance style from classical ballet to country line dancing, and holds a BA in Dance and Theater from James Madison University. She lives in Brooklyn, NY.
Ira Glass is the host and creator of the public radio program This American Life. The show is heard on more than 500 public radio stations in the U.S., and most weeks it’s the most popular podcast in America. It airs on public radio in Canada and Australia. Under Glass’s editorial direction, This American Life has won the highest honors for broadcasting and journalistic excellence; a television adaptation of the program ran on the Showtime network for two years, winning three Emmys. The American Journalism Review declared that the show is “at the vanguard of a journalistic revolution.” The radio show has put out its own comic book, greatest hits compilations, live stage shows, two feature films, a “radio decoder” toy, temporary tattoos and a paint-by-numbers set. This is Glass’s professional dance show debut.
Jane Cox (Lighting Designer) has designed with Monica Bill Barnes & Company for more than a decade, and her collaboration with the company is central to her creative life. In 2013 Jane was awarded the Henry Hewes Design Award and nominated for a Lortel and a Drama Desk for her theatrical designs. Recent designs on Broadway include Machinal, All the Way, and Picnic. Other recent New York theater includes Dinner with Friends for the Roundabout, Passions at CSC, and The Whale and The Flick at Playwrights Horizons. Opera designs include Sydney Opera House, Houston Grand Opera, New York City Opera, Minnesota Opera, and Glimmerglass. Jane also enjoys a long-term collaboration with choreographer Doug Varone, with whom she was awarded a Bessie, and has been teaching about light and design at Princeton University since 2007.
Kelly Hanson (Costume/Set Designer) is an original company member of MBB&CO, and has been collaborating with Monica since 2001. She is also an Emmy-nominated Art Director for television. Kelly currently spends most days directing art for NBC’s Tonight Show With Jimmy Fallon. Kelly was born in Bryan, TX, earned her MFA in Set Design at University of California, San Diego, and joined the New York community in 2001. She lives in Brooklyn with her husband, two children and a big black dog.
Tess James (Lighting Director) is a freelance Lighting Director and Designer. Throughout her career she has had the privilege of working with a wide range of amazing artists and companies including New York City Opera, BAM, New York City Center, Glimmerglass Opera, The American Repertory Theatre, Dallas Opera, Center Stage in Baltimore, The Public Theatre, Summer Scape at Bard College, and Den Nye Opera in the Netherlands. She currently resides in Brooklyn.
Alex Mannix (Lighting Supervisor) is a New York based lighting designer and assistant. She recently participated in the Hemsley Institute’s Mentorship Program, which provided her a grant to assist Jane Cox on several projects including All the Way, Dinner with Friends, and Machinal. Alex graduated from Princeton University in 2012 with a degree in Classics and a minor in Theater.
Michelle Rose (Company Manager/Production Assistant) is a dancer, filmmaker, administrator, and stage manager. Her production and administrative work has ranged from dance (ABT II), to Broadway theater (The Araca Group – Wicked, Rock of Ages), to television, and radio – one of her favorite experiences being This American Life Episode 528: The Radio Drama Episode, Live at the BAM Opera House. Rose has a BA from Mount Holyoke College, and a MA from NYU. She loves working with this amazing team.
Robert Saenz de Viteri (Producing Director) has toured extensively with The Nature Theater of Oklahoma, led the production of Mark Russell’s international theater festival, Under The Radar, and production managed at Soho Rep and The Public Theater. As a director and theater maker his work has been seen at Ensemble Studio Theater, The Flea, Office Ops, and Access Theater, including The New York Times’ Critic’s Pick production of Rachel Bonds’ Michael & Edie.
Under the artistic direction of choreographer Monica Bill Barnes, Monica Bill Barnes & Company’s mission is to celebrate individuality, humor and the innate theatricality of everyday life. The company is committed to bringing dance to a diverse audience through public performances, touring, artistic and teaching residencies, and innovative projects that expand the possibilities for dance. MBB&CO is a four-member company of long-standing collaborators: Monica Bill Barnes (Artistic Director/Performer), Anna Bass (Associate Artistic Director/Performer), Jane Cox (Lighting Designer), and Kelly Hanson (Set/Costume Designer). This team has created over thirty shows for stages large and small, formal to site specific, producing work together for over a decade. For more information go to www.monicabillbarnes.com.
“Think of Buster Keaton in Vegas. It’s also unapologetically human and refreshingly relatable, which is what captured Mr. Glass’s attention … he identified a shared DNA between Ms. Barnes’s work and his show: an unabashed desire to entertain paired with a drive to document the genuine feelings and awkward moments of life.”
“Despite the odd collage of artistic media, Glass says he and his collaborators will deliver ‘an incredibly fun, emotional, funny show.’ In fact, he promises the strange combination will grow, virally, into the next big phenomenon…”
“There was no pitch. If we had to pitch it to someone, how would the answer have been “yes”? It’s an utterly ridiculous idea for a show. My co-conspirators Monica Bill Barnes and Anna Bass and I just thought it would be fun, and we started making the show.”
“After ten years of collaboration, Barnes and Bass are masters of evoking character and emotion through dance, plastic facial expressions, physical comedy, and subtle body language — all silent art forms. Glass, of course, is a consummate deejay of the spoken word, mixing narration, quotation, music, and sound effects into stories. Together, these three produce a perfect — and perfectly unexpected — union.”
“Mr. Glass is a journalist but also a storyteller who filters his interviews and impressions through a distinctive literary imagination, an eccentric intelligence, and a sympathetic heart.”
- The New York Times
“The show’s a mix of two things that really have no business being on stage together at all. Dance is all visuals, no talking. Radio’s all talking, no visuals. But what the stories on our show have in common with dance is music.”
“Barnes was worried they would have a spectacular mess on their hands. ‘I feel we really took a leap of faith,’ she said, ‘and we were surprised and incredibly happy that the audience reaction was so enthusiastic.’”
“She [Monica Bill Barnes] pulls back the curtain on the drudgery of performance, offering a new view on the art of being an artist… Her work, the comedy and the existential pain is exceptionally clear, like fine short-story writing.”
To discuss booking or scheduling “Three Acts, Two Dancers, One Radio Host” please contact:
To discuss booking or scheduling Ira Glass for solo speaking dates, please contact: